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A collaborative project 'if - then, and, but.

a material dialogue between Victoria Mitchell, Kimberley Foster and Karl Foster
  • Pears, pistachios, pencils and punctuation: Performative encounter and the art of conversation
intellectdiscover.com/content/journals/10.1386/jwcp_00002_1
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if → then, and, but

Why the title? The origins of the project. The emerging aims of the project. The parameters of the project- How do we Frame it? What is acheived? What do we learn? Is it Art? Does it matter if it is not Art?
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Under The Name Of...........

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The Skin, The Knot, The Seed, The Washer-Woman, The Ruler, The Sail....

Is there a developmental sequence detectable? How universal might such sequences be?
The Skin -
The Knot-
The Seed -
The Washer-woman -
The Ruler -
The Sail -

The Trigger

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    Authors

    Karl Foster

    Kimberley Foster

    Victoria Mitchell

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  • home
  • sorhed
  • about
  • object collections
    • barnsley museums
    • museums sheffield
    • rochester cathedral
    • nantwich museum
    • museum of london docklands
    • imperial war museum
    • scva objects >
      • scva words on gallery wall
      • scva comments
    • manchester art gallery
    • turner contemporary
    • harewood house
    • creative criticism commission
    • british library
    • norfolk regimental museum
    • fermoy gallery - kings lynn arts centre
  • Ribbon Rolling
  • COMPASS Residency
  • Cambridge Visual Culture Visiting Research Fellowship
  • York Museums Trust
  • Henry Moore Foundation
  • PhD Practice Research
    • after the before >
      • trans-formations
  • Prosthetic Pedagogy - A Guide
  • CAL and CMUK
  • moving things
  • archived objects
    • independents >
      • on white
      • on black
      • between a rock and a hard place
      • kitchen thinking
    • incantated objects
    • pre positional
  • films
  • image
  • early research process
    • Locked down processes
  • if → then, and, but
    • archive
  • contact