Intro to buttons Object affordances Agency and disruption of materials Material making= ideas manifest Objects as actants Ideas and thoughts become located through stuff then we can intra act with those ideas Materiality – the potential to be performed becomes physical through enactments and becomes entangled afford performance Buttons as thoughts Jug- ness, button- ness, pouring. Taking one thought – how do you hold on to it? How do we understand negative capability? Not knowing – in research as questioning and unfolding and becomings ATTENTION ALTERS WHAT IS ATTENDED (kaprow) Disruption of material event Standing inside a waterfall is a very different experience from standing outside and reflecting on it, (Atkinson) We manipulate Massumi – is it at odd with affect that emergent states are anchored by critical thinking BUT If we keep things in a state of flux what happens how do we understand digest or even pin down ideas Processing coming back from being undone, doing up again. Ordering and reordering in search of clarity. Buttons that are threaded that are strung
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Kimberley FosterKimberley's practice as an artist is pedagogical, it doesn’t just reference learning, it plays with, embodies and encourages learning at its core. The objects consider ideas of collaboration and authorship, discussions about touch and encounter, and bring into active consideration issues of learning within social and participatory practices. Archives
October 2018
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