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if → then, and, but

Why the title? The origins of the project. The emerging aims of the project. The parameters of the project- How do we Frame it? What is acheived? What do we learn? Is it Art? Does it matter if it is not Art?
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Under The Name Of...........

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The Skin, The Knot, The Seed, The Washer-Woman, The Ruler, The Sail....

Is there a developmental sequence detectable? How universal might such sequences be?
The Skin -
The Knot-
The Seed -
The Washer-woman -
The Ruler -
The Sail -

The Trigger

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    Authors

    Karl Foster

    Kimberley Foster

    Victoria Mitchell

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  • home
    • about
  • dialogic objects
    • museums sheffield
    • rochester cathedral
    • nantwich museum
    • museum of london docklands
    • imperial war museum
    • scva objects >
      • scva words on gallery wall
      • scva comments
    • manchester art gallery
    • turner contemporary
    • harewood house
    • creative criticism commission
    • british library
    • norfolk regimental museum
    • fermoy gallery - kings lynn arts centre
  • objects
    • pre positional
  • independents
    • on white
    • on black
    • between a rock and a hard place
    • kitchen thinking
  • moving things
  • drawing
    • drawings
    • string interventions
  • incantated objects
  • thinking
  • process
  • contact
  • archive
    • object box 1
    • object box 2
    • object box 3
    • object box 4
  • after the before
  • trans-formations
  • if → then, and, but
  • Latest