Practice Research Developments and Considerations
 In preparation for my time in Cambridge I have been looking at the multiple traces of other spaces, and echoes of other imagery, in a collection of photographs I took on my last visit to the Fitzwilliam. There is a complexity to what is framed, and what is also inhabiting the spaces. I have written about the information that we pull from the art/museum but also the potential rupture caused by reentering it through its documentation. There is always something important about the subjective lens - which I refer to within my research as Merleau-Ponty's 'intentional arc' (2012. p.137). What we cast forward, in terms of our own lived experience, makes a specific space for our encounter.
When we move towards a more material encounter what more is possible to grasp?
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Dr. Kimberley FosterKimberley Foster is an artist and lecturer and a Cambridge Visual Culture Visiting Research Fellow. Her PhD practice research; Material Acts of Thinking and Learning in the Art Museum. Embodied Encounters and the Pedagogical Art Object focused on material engagements at Tate Modern and Sainsbury Centre UEA. She has a collaborative practice as sorhed (www.sorhed.com) and works extensively with exhibitions and collections. Kimberley is currently a PGR Supervisor for a CDP between Goldsmiths and the National Gallery and was previously Head of Programme for the MA in Arts and Learning at Goldsmiths. Archives
April 2025
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